Messy Color™ Honey Mustard Ltd Run

511306 -

Honey Mustard Ltd Run (511306)<br />An opaque yellow.

An opaque yellow.




"What a wonderful surprise to discover that the glass turned into the most creamy caramel base allowing me to surface decorate the bead with silver frit and silver handmade murrini! The colour developed from pale yellow through to rich butterscotch caramel from the flame to the kiln." – Liz DeLuca

Click here for other interesting Honey Mustard Ltd Run discoveries.

 
Messy Honey Mustard
Joy Munshower
Messy Sherbert & Honey Mustard with Effetre light turquoise, pastel ink blue violet, and silvered ivory stringers
Darlene Collette
CiM Honey Mustard
Heike Loos
Messy Honey Mustard Ltd Run
Gloria Sevey

Join Trudi Doherty's FB group Lampwork Colour Resource Sharing Information for a catalogue of color study.
Claudia Eidenbenz’s "Vetrothek" (glass library) is a great resource for color comparisons.
See Kay Powell’s frit testing samples.
Browse Serena Thomas’ color gallery.
Check out Miriam Steger’s CiM color charts.
Consult Jolene Wolfe's glass testing resource page.


"Here, a Honey Mustard base. Left: dotted with CiM Cranberry Pink and CiM Smurfy. Right: dotted with CiM  Emperor and CiM Smurfy. Each of the 3 neutral colours 'pool beautifully as small dots over both Cranberry Pink and Emperor." Read more at Kitzbitz Art Glass' blog.
Jolene Wolfe
"This photo shows a nice progression of a wonderful coral-pink blooming. The bottom of the bead is a great representation of un-struck Honey Mustard, the center shows it starting to strike and the top is obviously struck the most. . . . I have made several more beads using Honey Mustard and have gotten beautiful coral-pinks to warmer mustard shades. Sometimes you can get some great striations that look similar to the sunset or desert sand." Read more at Chris' blog.
Chris Sanderson
“The bead on the right was not struck before going into the kiln - it was significantly lighter, but has come out of the kiln functionally the same colour as the bead on the left, so while it looks different going into the kiln, apparently it will darken up by itself.” Read more at DragonJools blog.
Dwyn Tomlinson
"What a wonderful surprise to discover that the glass turned into the most creamy caramel base allowing me to surface decorate the bead with silver frit and silver handmade murrini! The colour developed from pale yellow through to rich butterscotch caramel from the flame to the kiln."
Liz DeLuca
"There is some interesting breakup around the EDP, much like with Opal Yellow." Read more at DragonJools blog.
Dwyn Tomlinson